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Meg Cranston

The free-spirited environment surrounding the “Cool School” group, which established itself in Los Angeles from the late 1950s onward, was a melting pot of artistic (material) experiments, shaped by Beat literature. In this vibrant network on the California coast, an inspiring cross-disciplinary dialogue between art and architecture developed.

 

The exhibition at Marta Herford, a unique architectural sculpture by Frank Gehry, brings together these impulses and opens up connections to iconic works of American postwar art as well as subsequent generations from this context.