image

Opening Reception: Saturday, February 3, 6–9PM
Saturday, February 3 – Sunday, April 15, 2018

 

MAK Center for Art and Architecture

Schindler House
835 N Kings Road
West Hollywood, CA 90069

 

Durational performances:
Fridays and Saturdays 11am-6pm

 

Curated by Francesca Bertolotti-Bailey and Lauren Mackler

 

Public Fiction’s The Conscientious Objector is a multifaceted endeavor that unfurls in parts from February to April 2018. It comprises a publication, a series of artist-made commercials for television, an exhibition of artworks activated by performances, and public programs.

 

To be an object, is to object

 

Set in West Hollywood, The Conscientious Objector considers how art and culture can establish acts of resilience through ‘non-participation’ and elliptical routes, in contrast to more blatantly socio-political forms of resistance, as well as the ways in which they might use the tropes and platforms of entertainment, advertising and mass culture to reach its audiences. That is, without making any assumptions about who these audiences are.

 

The overall project is an exploration of different modes or degrees of ‘public address’ – most obviously through a live confrontation with actors in the exhibition, at a step removed via TV commercials, more obliquely via individual artworks, and in the longer term through the publication.

 

About the exhibition:

 

The Conscientious Objector at the Schindler House presents new and existing works by Sam Gilliam, Anthea Hamilton, Lucy McKenzie, Dianna Molzan, and Suki Seokyeong Kang, plus a new durational performance delivered by professional actors and directed by Todd Gray. Each artist inhabits a different room of the Schindler House, which is progressively activated by a performance that employs the publication as script and prop.