
Dave Muller’s Record Pavilion 2.0: A diary that traces a life lived in music. A self-portrait. An invitation to peruse.
First showcased in Los Angeles in 2022, this stage-set/record-store/sculpture is stocked with records culled from Muller’s vast personal collection. A sound system, counter, lighting, and paintings of ephemera—posters, promo materials, zines—complete the record store vibe. Record Pavilion 2.0 fosters discovery, collective memory, and the exchange that’s emblematic of music itself. Reflecting Muller’s interest in the boundaries between performance, exhibition and life, the structure’s open design channels the collective energy of the countless record stores and music venues where Dave has browsed and listened. And it’s fully functional. The records, cds, cassettes and other media inside are for sale through the run of the exhibition. You might ask, “Dave why sell your records?” Of the records that Muller is willing to part with he says, “They already had their journey with me. Time for someone else to take a listen.” Here’s your chance.
-Dave Muller, 2026
With the Pavilion as its centerpiece, the maximalist installation will feature Top Ten works, Disco Balls, Record Paintings, and a large-scale painting shown for the first time outside a museum context. The installation is presented by Meliksetian | Briggs and the Landing, Los Angeles.
Dave Muller (b. 1964, San Francisco, CA) is a Los Angeles–based artist whose multifaceted practice spans painting, drawing, watercolor, and social sculpture. He received a BA from the University of California at Davis in 1989, where he also served as a DJ and Music Director at KDVS. He briefly studied at the School of Visual Arts in New York before earning an MFA from the California Institute of the Arts in Valencia in 1993.
Muller’s work has been presented widely in the United States and internationally. He has had solo exhibitions at Blum & Poe, Los Angeles, CA; the Institute of Contemporary Art, Boston, MA; the San Francisco Museum of Modern Art, San Francisco, CA; the Museo de Arte Contemporáneo de Castilla y León, León, Spain; the Saint Louis Art Museum, St. Louis, MO; and, most recently, the Williamson Gallery, ArtCenter College of Design, Pasadena, CA, among others. His work has also been featured in important group exhibitions such as the 2004 Whitney Biennial.
His work is represented in the public collections of the Dallas Museum of Art, Dallas, TX; the Hammer Museum, Los Angeles, CA; the Henry Art Gallery, Seattle, WA; the Solomon R. Guggenheim Museum, New York, NY; the Museum of Contemporary Art, Los Angeles, CA; the Museum of Modern Art, New York, NY; the National Gallery of Canada, Ottawa, Ontario; the San Francisco Museum of Modern Art, San Francisco, CA; and the Whitney Museum of American Art, New York, NY, among others.